Mary Barton Elizabeth Cleghorn Gaskell 9781542384063 Books
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Mary Barton is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester between 1839 and 1842, and deals with the difficulties faced by the Victorian lower class. It is subtitled 'A Tale of Manchester Life'. Elizabeth Cleghorn Gaskell (née Stevenson; 29 September 1810 – 12 November 1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Brontë. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature.
Mary Barton Elizabeth Cleghorn Gaskell 9781542384063 Books
Mary Barton may be a grueling, knotty read at times, but it nonetheless is a fine example of the Victorian novel, and it is well worth any intellectual effort required to read it. The author covers some of the same ground as Charles Dickens -- the ills associated with the industrialization of England -- as he did in Hard Times, but Gaskell does a far better job of inhabiting her characters, thus making them more vivid than any Dickens character. Gaskell gives her characters life like no other writer.The book is thematically rich and not merely a polemic against the evils of industrialization. It is a love story. It is a political story. It is an economics study. It is a story about class. It is a murder mystery. It is a story about the actual lives of working class people as they struggle with the industrialization of England.
Although Gaskell is guilty of following some of the Victorian tropisms -- stilted and tormented language, ornate sentence structure -- it is not obvious in this text. This book is one that should be read slowly so that the reader may benefit from the author's genius. The language at times is almost poetic.
This is a Norton Critical Edition, which I always recommend if it is available. The text of Mary Barton itself is 339 pages, but the volume adds some 200 additional pages of supplemental material. The critical apparatus is particularly strong in this volume including an early plan for Mary Barton written out by Elizabeth Gaskell, three plays based on the novel, and a wealth of contemporaneous and current criticism.
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Mary Barton Elizabeth Cleghorn Gaskell 9781542384063 Books Reviews
Mary Burton is a treasure of 19 century literature. The characters possess integrity of moral purpose that provides them with a richness not hidden by their poverty in life. Truth, honesty,devotion, modesty, and responsibility are exemplified by rich and poor alike in this tale of love and honor.The author digs beneath the superficial to show crime and it's consequences, but also the reader learns what motives drive men and women to act...how the human heart reacts to injustice and often change their lives as a result. We KNOW Mary Burton and Jem; we ache for John Burton and Mr. Carson. We applaud Margaret's strength despite her blindness. We care about these people as we do for family.
Loved this book! The more I read, the more passionate I felt about deep topics--poverty, hatred, forgiveness, redemption, and integrity. The leading characters are painted in such a way that when they hurt, I hurt and when they destroyed their lives, I cried for them. Elizabeth Gaskell, who worked among the impoverished people she wrote about, convinces us that true "nobility" exists among all classes of people and it is more a reflection of one's character than a profile of one's wealth.
This book is full of timeless principles that are every bit as applicable in our day as they were in hers.
Thankfully, I read this as part of a book club so I had an outlet to share and discuss the many burning questions that Gaskell created. I am a better person for having read this book. It is a great love story, too! )
Mary Barton, published in 1848, was Elizabeth Gaskell's first novel. Originally titled "John Barton," it's a book with many elements - starting out as a exploration of the lives of the poor in Manchester, England and ending as a more traditional love story with a focus on economic justice.
Mary is John's daughter, a young dressmaker who enters into a flirtation with the son of a factory owner. She hopes to marry him and rescue herself and her father from poverty. Jem, a factory foreman who is the son of one of her father's closest friends, is in love with Mary. As economic conditions worsen in Manchester, Mary's father is radicalized and drawn into Chartism (not incredibly well known now, this was a working class labor movement).
As all these elements come together, Gaskell mixes romance, a murder trial, a strike, and heartrending descriptions of poverty and death. There are a handful of characters who are economically well-off and they're not presented unsympathetically, but it's clear that Gaskell's heart was with the working class characters of this novel. Their dialect is carefully presented (with glosses in the text, provided by her husband) and her desire is clearly that her readers would understand - if not condone - how their lives are lived. Esther, an aunt of Mary's who has become a prostitute, is even given a chance to explain her actions and why she has made the choices that she has made.
While I did enjoy this book, parts of the second half did drag for me. Gaskell had not yet mastered the art of authorial injections and the constant breaking in began to feel a bit intrusive. There were also some bits of high-Victoriana I could have done without (a "fit of madness" that leaves one ill for a few weeks, etc). Wives and Daughters, from the end of her career, was a much stronger novel. However, there is still a great deal to enjoy here and I look forward to reading more novels by this unfairly underknown novelist.
I don't generally read Victorian fiction, but I do regularly visit Manchester and wanted to read some Elizabeth Gaskell. I had watched two BBC dramatizations of her work and opted to break the binding of MARY BARTON. It's a very strong and compellingly written piece, although much better with some of the social history than the eventual plot that focuses on a murder (come on, say it like John Houseman, "Muuuurder") and Mary Barton is the only one who fights for the truth to come out. The joy for me was Gaskell's brilliant portrayal of the northern English people. There are great scenes in Manchester and Liverpool. I do wish that the ending didn't wrap up so fairy tale neatly in the last page or two. Oh well, considering that I was entertained and educated for the other pages, I'd just have to say, "Luv, what a fine novel."
(I read a Norton Critical edition of the novel and have no idea about its faithful transfer to an ebook format.)
Mary Barton may be a grueling, knotty read at times, but it nonetheless is a fine example of the Victorian novel, and it is well worth any intellectual effort required to read it. The author covers some of the same ground as Charles Dickens -- the ills associated with the industrialization of England -- as he did in Hard Times, but Gaskell does a far better job of inhabiting her characters, thus making them more vivid than any Dickens character. Gaskell gives her characters life like no other writer.
The book is thematically rich and not merely a polemic against the evils of industrialization. It is a love story. It is a political story. It is an economics study. It is a story about class. It is a murder mystery. It is a story about the actual lives of working class people as they struggle with the industrialization of England.
Although Gaskell is guilty of following some of the Victorian tropisms -- stilted and tormented language, ornate sentence structure -- it is not obvious in this text. This book is one that should be read slowly so that the reader may benefit from the author's genius. The language at times is almost poetic.
This is a Norton Critical Edition, which I always recommend if it is available. The text of Mary Barton itself is 339 pages, but the volume adds some 200 additional pages of supplemental material. The critical apparatus is particularly strong in this volume including an early plan for Mary Barton written out by Elizabeth Gaskell, three plays based on the novel, and a wealth of contemporaneous and current criticism.
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